The breaking of the fourth wall is a shock, but the message is clear: It’s nothing less than a direct refutation of Hollywood-style heroic convention. This is perhaps best exemplified by the confounding “rewind” scene, when wealthy housewife Anna briefly gets the upper hand on her invaders by blasting one in the chest with a shotgun … only for the other invader to simply pull out a remote, rewinding events to before she grabbed the gun. Michael Haneke’s Funny Games provides an unsettling twist here on the framework of home invasion thrillers, going out of its way to play against audience expectations in its most crucial moments. You certainly can’t accuse this year’s films of not taking any chances. It presents us with an array of variety that is unusual for the 1990s in horror, including a top-flight anime example in the form of Perfect Blue, the artsy reinvention of a former blue-chip franchise in Alien: Resurrection and more A-lister horror drama in The Devil’s Advocate. You can see the full list in the master document, which will collect each year’s individual film entry as it is posted.ġ997 is an intriguing year, and one that is deeper than it may initially appear. This post is part of Paste’s Century of Terror project, a countdown of the 100 best horror films of the last 100 years, culminating on Halloween.
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